Why Is Chicago Called "The Windy City"? | Reader's Digest The numbers of Indigenous people living in the United States reached a demographic nadir of between 200,000 and 300,000 individuals around 1900, or less than 10% than had lived in North America before the arrival of Columbus. ", "Chicago Is a City of Objectionable Nicknames", "Does Anyone Use 'Chi-Town'? The White City's grand neoclassical buildings were designed by a team of top architects led by Daniel . As a teenager, he searched flea markets and antique shows for Columbian Exposition memorabilia. [45] Eventually, the White City rink was desegregated and changed its name to Park City. [12], "Chiberia" a portmanteau of "Chicago" and "Siberia" was coined by Richard Castro, a meteorologist working for CBS Chicago, during a cold wave in 2014 that brought the coldest temperatures to the city in multiple decades. On the far side of the Basin stood Daniel Chester Frenchs statue. The city experienced dramatic increases in ridership on the public transportation that took people to White City. Nearly 40 million visitors came during the fairs two years of operation. [28], Midget City was a popular exhibit that featured 50 men and women who all had dwarfism; at the time, the word used to describe them was 'midgets,' and working the carnival circuit was one of the few jobs open to them. [13] The new park's operation appeared as safe as similar parks, and almost from the beginning, White City was very well received. Yerkes Observatory: This astronomical outpost for the University of Chicago features what was the worlds largest lens-type telescope when it was displayed at the worlds fair. [25] In 1942, the Congress of Racial Equality was involved in one of these rallies. Why is Chicago Called the "Windy City"? - Mental Floss This content continued into the early 1930s, when the "Sally Joy" of that time was a woman named Anna Nangle.[35]. Theres also an assortment of collectibles, from glassware saved by the family of Elmhursts first mayor, to postcards and a salt dish made of shells, resembling the Nia, Pinta and Santa Maria. Exhibits were arranged by the Smithsonian Institutes George B. Goode, who sought more than just machinery. [6][7] In its prime the park rivalled Coney Island as a model for worldwide amusement park architects, designers and planners. Where the Columbian Exposition was grand and classic, the 1933-34 Century of Progress was sleek and modern. It Could Be a Lot". Just a few years before the Columbian Exposition, a farmer in Norway had discovered in his field the Gokstad, a buried Viking ship. On February 24, 1890, Congress chooses Chicago to host the World's Columbian Exposition of 1893, also known as the World's Fair, and nicknamed the White City. Can you match each critters photo to its name? [11] It is also sometimes said as the "City of Broad Shoulders". Also popular was the "Chicago Fire" exhibit, which featured an exhibit described as a faithful reproduction of the burning of the city: " a panoramic display in miniature, with all the addenda of realistic fire and smoke effects and crumbling of buildings"[29], Beginning in the summer of 1906, the Chicago Tribune newspaper made use of White City to hold an annual benefit for Chicago's hospitals, with the proceeds devoted to helping babies who needed care. [14] The nickname continues to be used during cold weather events, for example in 2017[15] and in 2019. [2] It contributed to Chicago's status as the city with the most amusement parks in the United States until 1908. Chicagos next worlds fair, hosted in 1933 and 34, was far different from the Columbian Exposition. Bernardino de Sahagn and Indigenous collaborators, A Renaissance miniature in wood and feathers, A shimmering saint, St. John in featherwork, Burning of the Idols, in Diego Muoz Camargos, Biombo with the Conquest of Mexico and View of Mexico City, Francisco Clapera, set of sixteen casta paintings, Escudos de monjas, or nuns badges, in New Spain, Mission San Antonio de Valero & the Alamo, Church of Santa Prisca and San Sebastian, Taxco, Mexico, Inventing America, The Engravings of Theodore de Bry, Portraits of John and Elizabeth Freake (and their baby), Gerardus Duyckinck I (attributed), Six portraits of the Levy-Franks family, c. 1735, Ostentatious plainness: Copley's portrait of the Mifflins, The portraitist of 18th-century Puerto Rico, The Mexican-American War: 19th-century American art in context, John Browns tragic prelude to the U.S. Civil War, The Missouri Compromise and the dangerous precedent of appeasement, The Immediate Cause of the Civil War, an introduction, Imagining the West, territorial expansion, and the politics of slavery, Experiences of the U.S. Civil War, an introduction, Memory and commemoration of the U.S. Civil War, an introduction, Nast & Reconstruction, understanding a political cartoon, Nativism, immigration, and the Know-Nothing party, The Worlds Columbian Exposition: Introduction, A dream of Italy: Black artists and travel in the nineteenth century, The Radical Floriography of Sarah Mapps Douglass, Thomas Hovenden, The Last Moments of John Brown, The U.S. Civil War, sharpshooters and Winslow Homer, Peaks and perils: The life of Carleton Watkins, The Alamo (& Mission San Antonio de Valero), Inventing America, Colts Experimental Pocket Pistol, Cultures and slavery in the American south: a Face Jug from Edgefield county, Slave Burial Ground, University of Alabama, Seneca Village: the lost history of African Americans in New York, William Howard (attributed), Writing desk, Herter Brothers, Mark Hopkins House Side Chair, Robert Mills and Lieutenant Colonel Thomas Lincoln Casey, Washington Monument, The light of democracy examining the Statue of Liberty, Defeated, heroized, dismantled: Richmonds Robert E. Lee Monument, Carrre & Hastings, The New York Public Library, Ancient Andean art in context: An origin story (The Legend of aymlap), Complexity and vision: the Staff God at Chavn de Huntar and beyond, Nasca Art: Sacred Linearity and Bold Designs, Semi-subterranean Court at the site of Tiwanaku, Inka ushnus: landscape, site and symbol in the Andes, Portrait Painting in the Viceroyalty of Peru, Introduction to religious art and architecture in early colonial Peru, Early Viceregal Architecture and Art in Colombia, The Church of San Pedro de Andahuaylillas, The Church of San Pedro Apstol de Andahuaylillas.

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