noun. Introduction: The Impurity of Art Cinema. Katrien Lichtert, Christopher D M Atkins, Erik Verroken, Anne-Laure Van Bruaene, Angela Jager, Martine Vanwelden. anything exotic, as a foreign word or idiom. 2001. To browse Academia.edu and the wider internet faster and more securely, please take a few seconds toupgrade your browser. Usage explanations of natural written and spoken English, Today, the nearly 5,300-square-foot home exudes elegance and, Across the centuries, orchids have captivated us with their elaborate, Whether it's the mysteries of the blue agave source plant, the, Presumably it would be because, after 40-some-odd films in the franchise, producers felt they needed to do a little something extra to up the, Such a reductive representation of cultural difference is termed colonial, Addressing the politics of gender in studies on, They are, rather, narrative agents whose actions move the stories forward and develop the authenticity and, Although the poet insists that eros is the force of perpetual revolution, he consistently finds in it an, However, she changes her positionality as she proceeds with her description and adopts an uncertain viewing position which avoids fixating difference as a stereotypical characteristic of colonial. The mobility of early modern people, ideas and things, and the networks they created and relied on, facilitated flows of material and immaterial interactions. ]6[I N*"=EE}-Sw"E~U ?&7t'>#^/ NgtAftaes`VL^rxJ?^A*u]^460/cl!Jb|@x7 t{%hmLa s?hWmP'EDdTB.A0E*!W;hQV:&V2L^eC`%FIHJ59%]iRH/" 3%hY]hF,`bd582TP?I5MsLK`_I?+i%S~'}\9, `3+_0X~^xjdiD- 2r=nl>&ZP%I]ALL!4\~KD`hIBK:R+S }l.~q BFcN}uZ^9$2.:-w\wmle=w uCXBw0!I-(>|v!8Zb?. X5foOkYTa+*roQ>6RWJrt=$U5lP/U//MqHOFp +T[O Painting Blindness and Obscuring Vision: Rembrandt and the Senses. Commenting on the films captivating beauty, film critic Roger Ebert (1992) notes: There is a sense in which Raise the Red Lantern exists solely for the eyes. You can comment below, or link to this permanent URL from your own site. Good stuff. Although this article examines how some contemporary world cinema filmmakers exoticise their own cultures, world cinema also exoticises other cultures. The word in the example sentence does not match the entry word. Most critics in the West denounce exotic cinema and its commodification of cultural difference as unethical and exploitative. Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit. London and New York: Routledge. order to break the drawn-out silence, the Niouki summarized the stages that, according to her, post-exoticism had passed through since Minor Angels, Maria Clementi's first romnce, written in 1977.

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